In the creation story there is a pattern in which God names things. In doing so God draws them into being. In Genesis 1 God names the light ‘Day’, and the darkness ‘Night’, God names the dome over the earth ‘Sky’, the dry land ‘Earth’ and the waters ‘Seas’ and so on. God names each of these things with individual names, and then he names them again – he calls them ‘Good’.
After creating Adam, God invites Adam to follow this pattern. In Genesis 2: 19-20 God brings to Adam the animals ‘to see what he would name them’ and then ‘whatever the man called each living creature, that was its name.’ Whatever Adam named things, that was its name. Bad luck for the hippopotamus.
Names are incredibly important to us, new parents spend ages thinking of what they can name their child, believing that in some way, this name will influence their future and their very being. We name and re-name things all the time, its helps us to understand who and what we are - and our cities are not immune to this.
Flint, the city in Michigan where we have been spending time this week is often given names. I mentioned that it is known to some as the most violent or most dangerous city in America (actually since February this name is now passed to Oakland in California… lucky for them). Other names given to Flint have included the most Illiterate City, or the city with the highest levels of arson. Detroit where we have spent the last couple of days has also earned these titles, and a few others; in 2013 it was named the most miserable city in America.
These names stay with us, and as we are called, so we become. For this reason it is so important for the Church to name hope in our cities. One of the episcopal churches we visited in one of Detroit’s poorest neighbourhoods is called ‘Spirit of Hope’. From this church and its with a small but growing congregation, an urban garden is tendered. From here the church with only a handful of volunteers and much less cash manages to give away six tons of food and 20,000 meals every year. In the spirit of the Heidelberg project members of the church are decorating old church pews and hymn boards with messages of hope for their community, placing them in public places. As part of this they are praying for their community and telling them about resurrection for all – naming hope for the here-and-now. This kind of hope whispers resurrection, whispers that a city is not dead in a tomb, Christ is risen for the all of us, and all of us are a part of sharing a hope filled resurrection life. Resurrection isn’t just for the shining cities and booming financial districts and fashion capitals, resurrection is for the derelict, the forgotten, the places that have been named the bad names.
One of my friends, Andrew, is working on a performance project with the Flint Youth Theatre. Its called “Flint, the most _________ city in America”, part of the project is allowing the community to fill in the blanks, to make their own name for themselves, based on the positive that they bring and not simply acknowledging the negative that they are labeled with. We need to stop 'name-calling' in the negative and start 'name-calling' our cities in the positive, we need to be honest about our problems but we also need to speak that truth in love and in the light of resurrection hope. So we are named so we create who and what we are.
Showing posts with label Detroit. Show all posts
Showing posts with label Detroit. Show all posts
Tuesday, 21 April 2015
Saturday, 18 April 2015
Born makers
We are spending a few days in Detroit before driving to New York where we will meet more church and community workers involved in regeneration work in a different urban context. Detroit is in many ways a City which suffers from similar problems as Flint, but on a macro scale.
On our way here I was struck by the new Chrysler advertising campaign on the skyscraper between the two cities, visible from the freeway. The Chrysler building says ‘We are born makers’. In many ways there is a cruel irony about this – yes we are all makers but in cities like Flint and Detroit the opportunity to make, has been taken away from many people, the people in this tower might feel like makers... but there are people who down the road are surrounded by dereliction and destruction.
Yet its also a reminder that we are all makers, that for the residents of these cities, as much as they may feel like a few big factories would solve their problems, we all have an ability to create and make for ourselves.
It does not feel this simple for many of the people of these cities, to just 'go and create'. We are all born makers, but we are not all born equal. For some there are creative enterprises all over Detroit, people moving from Brooklyn to set up design companies, distilleries, bakeries, potteries, printers etc. as well as social enterprises. For others, particularly some of the poorer black communities who make up the majority of these cities, this can feel way out of reach. What is clear to me is that it is sometimes not enough that we are makers, we need to help each other to realise this economically, investing in each other, working collaboratively in a way that all thrive, not only the few. We have to make real the equality that we say we believe in.
In the Detroit Institute of Art there is a mural by Diego Rivera and Frida Kahlo. Done in the 1930s it shows the car industry that was booming in Detroit (and indeed Flint). Rivera paints hundreds and thousands of workers, depicting the potential and the glory of hard work of people of all races, in the field as well as in the factory. But exploring the mural further, we see that Rivera also points at the way in which the few can exploit this, putting others in danger. His message not only to Detroit, but to a capitalist world, is that when the workers thrive, all thrive, but where they are exploited, all of humanity suffers. We are all born makers, the question is how happy are we with the world we are making? Is everyone free to make and create? Or just some of us? Our cities seem to magnify the creative industry, for better or worse, so what is our response when we really listen to it?
On our way here I was struck by the new Chrysler advertising campaign on the skyscraper between the two cities, visible from the freeway. The Chrysler building says ‘We are born makers’. In many ways there is a cruel irony about this – yes we are all makers but in cities like Flint and Detroit the opportunity to make, has been taken away from many people, the people in this tower might feel like makers... but there are people who down the road are surrounded by dereliction and destruction.
Yet its also a reminder that we are all makers, that for the residents of these cities, as much as they may feel like a few big factories would solve their problems, we all have an ability to create and make for ourselves.
I came across 1 Chronicles 22:15-16, where David commissions the building of the temple for the glory of the Lord. He says, 'Moreover, there are many workmen with you, stonecutters and masons of stone and carpenters, and all men who are skillful in every kind of work. "Of the gold, the silver and the bronze and the iron there is no limit. Arise and work, and may the LORD be with you."' This is a reminder of the potential that all of us have to create with the different skills we have and to work for the good for the city and for the glory of God. We all have skills, there is so much purpose to be found, but without finding this and without the opportunity to make and create, we are robbed of something which makes us human.
It does not feel this simple for many of the people of these cities, to just 'go and create'. We are all born makers, but we are not all born equal. For some there are creative enterprises all over Detroit, people moving from Brooklyn to set up design companies, distilleries, bakeries, potteries, printers etc. as well as social enterprises. For others, particularly some of the poorer black communities who make up the majority of these cities, this can feel way out of reach. What is clear to me is that it is sometimes not enough that we are makers, we need to help each other to realise this economically, investing in each other, working collaboratively in a way that all thrive, not only the few. We have to make real the equality that we say we believe in.
In the Detroit Institute of Art there is a mural by Diego Rivera and Frida Kahlo. Done in the 1930s it shows the car industry that was booming in Detroit (and indeed Flint). Rivera paints hundreds and thousands of workers, depicting the potential and the glory of hard work of people of all races, in the field as well as in the factory. But exploring the mural further, we see that Rivera also points at the way in which the few can exploit this, putting others in danger. His message not only to Detroit, but to a capitalist world, is that when the workers thrive, all thrive, but where they are exploited, all of humanity suffers. We are all born makers, the question is how happy are we with the world we are making? Is everyone free to make and create? Or just some of us? Our cities seem to magnify the creative industry, for better or worse, so what is our response when we really listen to it?
Thursday, 16 April 2015
Embers
This week we work up to the smell of burnt plastic. The local recycling plant had burnt down in the night. The cause of the fire is still under investigation, but speaking to come people locally arson could have been a possibility. Arson is not the problem that is had been in Flint, but with over 25% of Flints buildings derelict and abandoned, it had been an issue. 1631 were reported at vacant homes and buildings in the city from 2008-2012. Half of the fires are believed to be caused by children under 18 years old, some of these seeking a thrill, others out of anger, revenge or metal health issues, others because they have felt frustrated, surrounded by abandoned, dirty and derelict buildings.
Most residents are desperate about the situation. The attacks cost the city millions in fire-fighting and legal investigations, and now the city cannot afford to employ its own investigators of these fires, insurance companies are sending their own investigators in. There are reports that such investigations have found an arson for profit group had also been operating in Flint, with people unable to sell their houses, desperate to get money from somewhere in order to leave the city, this group has since been arrested.
In one street a house that had been recently renovated burn down after catching alight from a delict house that was set on fire next door. This house had been a symbol of hope for many in the community; a neighbour explained how others from the neighbourhood had come out to watch it, some of whom had been involved in its renovation. Many stood there helpless, in tears. A friend of mine who witnessed this decided to work with students at the university to give voice to the anger pain and frustration that the community were feeling through a verbatim theatre project, Embers. Playwright Andrew Morton worked with students to gather thoughts and feelings of local residents. The performance took place on the street where one of the houses had been destroyed and local residents came to watch it, sharing in their own stories and the hope they felt for the future of the city. You can find out more about the project here (Chapter 3).
Still others are rebuilding and renovating buildings in Flint, and whilst some people are still moving out, some are moving in. The landbank is a governmental organisation is currently in a process of doing this as part of their Neighbourhood Stabilisation Program.
Most residents are desperate about the situation. The attacks cost the city millions in fire-fighting and legal investigations, and now the city cannot afford to employ its own investigators of these fires, insurance companies are sending their own investigators in. There are reports that such investigations have found an arson for profit group had also been operating in Flint, with people unable to sell their houses, desperate to get money from somewhere in order to leave the city, this group has since been arrested.
In one street a house that had been recently renovated burn down after catching alight from a delict house that was set on fire next door. This house had been a symbol of hope for many in the community; a neighbour explained how others from the neighbourhood had come out to watch it, some of whom had been involved in its renovation. Many stood there helpless, in tears. A friend of mine who witnessed this decided to work with students at the university to give voice to the anger pain and frustration that the community were feeling through a verbatim theatre project, Embers. Playwright Andrew Morton worked with students to gather thoughts and feelings of local residents. The performance took place on the street where one of the houses had been destroyed and local residents came to watch it, sharing in their own stories and the hope they felt for the future of the city. You can find out more about the project here (Chapter 3).
Still others are rebuilding and renovating buildings in Flint, and whilst some people are still moving out, some are moving in. The landbank is a governmental organisation is currently in a process of doing this as part of their Neighbourhood Stabilisation Program.
Tuesday, 14 April 2015
Dirty Water
Flint has a water problem. A while ago the city of Detroit, who supplied Flint with water, put the water bills up several times. The city of Flint paid the increase for a while before deciding they could not pay to get Detroit out of its financial difficulties – after all, it has its own. Flint has its own river and city officials decided water could be sourced from there to save money. The river is dirty and so a high level of chemicals had to be used. The end result was increased levels of the byproduct trihalomethane as well as odor and discolouration in the water. Water rates remained one of the top three monthly outgoings for most households.
My friend, a resident of Flint, recently received a letter reassuring her that the $100 she pays for she pays a month for water was giving her water that was safe to drink, a problem that most of the town worries about regularly. That is, it is safe as long as she isn’t pregnant or suffering from a weakened immune system. The problem is that many of the city of Flint actually do have serious health problems due to a variety of complex factors, most down to poverty. My friend has a special filter on the tap to ensure the water is safe to drink, it costs around $30 and others rely on bottled water, but for many of the people of Flint both these options are way out of reach. Actually, quite a few of the people of Flint can’t even afford to pay for their water full-stop, dirty or not. Asking around water rates are regularly around $100-150 a month. It is not unusual for those who are unemployed to get cut off, depending on neighbours in the street for water. Meanwhile in Detroit the city is $15 million dollars worse off as a result of Flint going to its own resources and local protests continue.
My friend, a resident of Flint, recently received a letter reassuring her that the $100 she pays for she pays a month for water was giving her water that was safe to drink, a problem that most of the town worries about regularly. That is, it is safe as long as she isn’t pregnant or suffering from a weakened immune system. The problem is that many of the city of Flint actually do have serious health problems due to a variety of complex factors, most down to poverty. My friend has a special filter on the tap to ensure the water is safe to drink, it costs around $30 and others rely on bottled water, but for many of the people of Flint both these options are way out of reach. Actually, quite a few of the people of Flint can’t even afford to pay for their water full-stop, dirty or not. Asking around water rates are regularly around $100-150 a month. It is not unusual for those who are unemployed to get cut off, depending on neighbours in the street for water. Meanwhile in Detroit the city is $15 million dollars worse off as a result of Flint going to its own resources and local protests continue.
Monday, 13 April 2015
8 Mile
Eminem reminded us that those closest to the city are often the worse off. In his film Eight Mile, the title refers to Eminem’s story of growing up only 8 miles from downtown Detroit, an area of high unemployment, depopulation, abandoned buildings, crime and fragmented families. James has already mentioned that as we drove from Detroit out to Flint, we saw that by each ‘mile road’ the houses got bigger, the abandoned buildings got fewer, graffiti lessened, cars increased, restaurants increased, grocery stores and gyms appeared. The problems that effect the city centres are not problems that many of the people who live further out in the suburbs have to live with. Many of these people drive in daily to run the governing systems and work in the offices. Both Flint and Detroit are big cities, too big in size to be supported financially in their infrastructure, and so a lot of the money stays in the suburbs. The rich get richer, the poor get poorer.
It challenges me to think about how we challenge the injustices that are not quite on our doorstep as well as the ones that are. In fact, how hard do we try to move our doorsteps further away from poverty and chaos altogether? There are plenty of churches in Flint and Detroit with people in doing great things, but are equally plenty of derelict churches. James 1:27 reminds us of our duty to look after those who can’t look after themselves, but also to keep ourselves “unstained” by the world. Do we think of keeping ourselves “unstained” by moving away from dirt, squalor and poverty, or by walking into it?
It challenges me to think about how we challenge the injustices that are not quite on our doorstep as well as the ones that are. In fact, how hard do we try to move our doorsteps further away from poverty and chaos altogether? There are plenty of churches in Flint and Detroit with people in doing great things, but are equally plenty of derelict churches. James 1:27 reminds us of our duty to look after those who can’t look after themselves, but also to keep ourselves “unstained” by the world. Do we think of keeping ourselves “unstained” by moving away from dirt, squalor and poverty, or by walking into it?
Sunday, 12 April 2015
Woodward Avenue
So we have been in the USA for less than 24 hours and completed 219 miles in the car which feels particularly appropriate in Michigan, in Detroit and Flint - areas built mostly by the car industry.
One of the main thoroughfares in to Detroit is called Woodward Avenue which is an 8 lane major road that has the high rise city buildings on the horizon. It is 27 miles into the centre along its length. It is intersected by lots of different roads as it leads into the centre of Detroit; Woodward is marked in particular by mile roads, which progressively count down to the centre of Detroit. Fun Fact: for those interested 8 Mile (the film) about the life of Eminen is set around 8 mile this is where Eminen was born and raised. It was very interesting to watch how the city changes as you drive from 21 – 1. From 21 – 14/13 there is wealth; this is on a par with the West End of London (Richmond/Twickenham) pockets of deprivation but a presentation of wealth, shops, cars and service based industries. As you continue from miles 13 – 4, it changes considerably, one thing you notice is, there are more people – people crossing the 8 lane road, people standing around and cyclists. The buildings drastically changes, there are a lot of derelict house, factories and shops, larger open spaces of demolished factories and housing. Between 8 – 4 there seemed to be a lot of churches – I’m currently not sure why, I may come back to this!
Miles 4 – 0 is much more like the centre of a large city, anywhere in the world (certainly from the outside) large glass skyscrapers, restaurants and shops which eventually leads to the river. We left the centre from a different road and quickly entered (within 2 miles) to more ‘rundown’ areas.
More to come….
One of the main thoroughfares in to Detroit is called Woodward Avenue which is an 8 lane major road that has the high rise city buildings on the horizon. It is 27 miles into the centre along its length. It is intersected by lots of different roads as it leads into the centre of Detroit; Woodward is marked in particular by mile roads, which progressively count down to the centre of Detroit. Fun Fact: for those interested 8 Mile (the film) about the life of Eminen is set around 8 mile this is where Eminen was born and raised. It was very interesting to watch how the city changes as you drive from 21 – 1. From 21 – 14/13 there is wealth; this is on a par with the West End of London (Richmond/Twickenham) pockets of deprivation but a presentation of wealth, shops, cars and service based industries. As you continue from miles 13 – 4, it changes considerably, one thing you notice is, there are more people – people crossing the 8 lane road, people standing around and cyclists. The buildings drastically changes, there are a lot of derelict house, factories and shops, larger open spaces of demolished factories and housing. Between 8 – 4 there seemed to be a lot of churches – I’m currently not sure why, I may come back to this!
Miles 4 – 0 is much more like the centre of a large city, anywhere in the world (certainly from the outside) large glass skyscrapers, restaurants and shops which eventually leads to the river. We left the centre from a different road and quickly entered (within 2 miles) to more ‘rundown’ areas.
More to come….
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